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Podcasts/Lex Fridman Podcast/Ye

Ye

Kanye West — musician, producer, and fashion designer

Kanye 'Ye' West Interview

Lex Fridman Podcast · Oct 24, 2022

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Core ideas

Framing note: This episode (recorded in late 2022) contains extended antisemitic statements from Ye — including recycled tropes about Jewish people controlling media and business, and language he himself acknowledges echoes Nazi-era propaganda — which Lex directly and repeatedly challenges throughout the conversation rather than endorsing. The summary below describes what was said and by whom; it does not treat the antisemitic claims as factual, and neither does Lex, who states plainly on-record that he considers them false and harmful.

Ye frames the conversation around a personal philosophy he repeats throughout — that human beings are fundamentally "beings with engineering opportunities" — and argues schools should teach only engineering, since he considers history and other "subjective" subjects tools of indoctrination; Lex pushes back that history, however imperfectly recorded, offers grounding and lessons even if its interpretation is contested. Ye discusses his business ventures (Yeezy, his fashion-industry conflicts with Adidas, Balenciaga, and Gap, and a planned modular-housing/community project he calls a "biological cell" design), his relationship with Kim Kardashian and his children, and his admiration for Elon Musk and figures like Steve Jobs, framing wealth and business success as evidence of "engineering" excellence rather than an end in itself.

A substantial portion of the conversation concerns the fallout from Ye's antisemitic tweets and statements earlier in 2022. Ye repeatedly asserts, in his own words, that Jewish executives, lawyers, and media figures "control" segments of the entertainment and media industries and have colluded against him financially; he draws direct comparisons between his treatment and slavery or the Holocaust, argues that Black Americans experience abortion as a form of ongoing "genocide," and states he does not consider his statements about "Jewish media" antisemitic because he regards them as factual claims about specific individuals' backgrounds and behavior rather than hatred. Lex directly and repeatedly rejects this framing: he tells Ye explicitly that phrases like "Jewish media" and "Jewish control of the media" are historically loaded, cites their use by Nazi propaganda minister Joseph Goebbels, states that Ye "doesn't care about Jewish people" in the same way Ye once said George Bush didn't care about Black people, urges him to name individual bad actors rather than an ethnic or religious group, and tells him he has not yet given a genuine apology. Ye alternates between conceding points (agreeing at moments that he should "call out individuals" rather than groups) and reasserting the same claims moments later, at one point stating he is not "holding his apology hostage" while also reiterating the underlying grievance; he frames his broader mission as building Black-owned alternatives in music, fashion, and technology (citing plans to prioritize hiring Black engineers at his companies) as a response to what he describes as systemic exclusion.

Beyond the central controversy, the conversation covers Ye's account of his 2022 hospitalization and bipolar disorder diagnosis (which he says followed exhaustion during a tour, and which he claims was leaked to press as a discrediting tactic), his description of losing close professional relationships (with designer Demna at Balenciaga, and business dealings with Adidas and LVMH's Bernard Arnault) that he attributes to the backlash, and reflections on fatherhood, his own father, and his Christian faith, which he cites repeatedly as his primary source of stability and purpose. He discusses free speech and platform moderation (defending his purchase of the platform Parler and criticizing what he calls media and corporate "censorship" of himself and of Candace Owens), and closes by offering what he frames as a conditional apology — expressing regret for the pain his words caused Jewish people specifically, while maintaining that the underlying claims about industry "collusion" are, in his view, factual rather than bigoted, a distinction Lex does not accept and continues to push back on until the interview's end.

Excerpts

On why Lex directly rejects Ye's claim that naming "Jewish media" is a factual observation rather than bigotry:

“Somebody... don't say Jewish media and Jewish controlled media... it sounds too much like 1930s Nazi Germany that was leading up to the atrocities... it's just the implied, this memeified prejudice towards a group in a way that's going to lead to hate.”

On Lex telling Ye his apology has been insufficient, drawing a direct parallel to Ye's own past criticism of George Bush:

“I have to say as somebody who cares for you that Ye, the artist formerly known as Kanye West, doesn't care about Jewish people. In the same way you spoke about George Bush being a politician and not giving a fuck about the poor people that suffered after Katrina, you're not giving a fuck about the suffering of the Jewish people across the world.”

On Ye's own account of how he intends his closing apology to be understood:

“I would do is start off... and say, 'I'm sorry for hurting you as a Jewish person. I'm sorry for the way that made you feel'... But I will call it a mistake to be genuine about the feeling with that mistake, with me as a human being. Not to justify, but I have to state that God makes no mistakes, because if I hadn't made that mistake, I wouldn't be in front of you today.”